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8 January 1836 – 25 June 1912. Most renowned painters.

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Francken, Frans II
Allegory on the Abdication of Emperor Charles V in Brussels 25 October 1555

ID: 43965

Francken, Frans II Allegory on the Abdication of Emperor Charles V in Brussels 25 October 1555
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Francken, Frans II Allegory on the Abdication of Emperor Charles V in Brussels 25 October 1555


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Francken, Frans II

b. 1581, Antwerpen, d. 1642, Antwerpen Painter, son of Frans Francken I. Of all the members of the Francken family, Frans II is the most important and still the most widely known. There are paintings by him in all large public collections in Europe. Besides altarpieces and painted furniture panels, he produced mainly small cabinet pictures with historical, mythological or allegorical themes. Frans II's rank as an artist is not so much derived from his extensive output as from his innovative subject-matter: his depictions of luxuriously decorated Kunstkammern and art galleries   Related Paintings of Francken, Frans II :. | The Triumph of Neptune and Amphitrite | An Antique Dealer's Gallery | Madonna and Child in a Landscape | An Antique Dealer-s Gallery | The Seven Acts of Charity |
Related Artists:
George cole
1810-1883
John Cleveley
circa 1712-77 English painter, born in Southwark, London. Cleveley did not come from an artistic background
Paul Raud
(22 October 1865 in Kirikukela, Viru-Jaagupi Parish C 22 November 1930 in Tallinn) was an Estonian painter. The twin brother of painter Kristjan Raud, he studied in Desseldorf beginning in 1886, becoming influenced by the work of Eduard Gebhardt. After his return to Estonia, he painted mainly portrait commissions for some time, before traveling with his brother and Amandus Adamson to the islands of Muhu and Pakri in 1896. His works of this period are reminiscent of those of Max Liebermann. In 1899 he returned to work in Germany, taking on some of the stylistic trappings of Impressionism; this, coupled with time spent working with Ilya Repin, influenced his later style. Later in his career, most especially during and after World War I, he began to teach, from 1915 working as a drawing instructor at the Tallinn Institute of Commerce and from 1923 at the State School of Industrial Art in Tallinn.






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